Ellen Kempner of Palehound
Outspoken and perceptive with a razor-sharp wit, Boston songwriter and multi-instrumentalist Ellen Kempner is the creative captain of the gale-force musical cruiser, PALEHOUND. Boundless disregard for tradition turns her recent, “Dry Food,” into a cornucopia of rock and roll riches mixed in a refreshing blend of cut-throat poetry, elliptical guitar and storm-trooper grooves. Out on the road, Ms. Kempner drops into Madison’s The Frequency November 18th along with indie renegade MITSKI and punk-rockers PWR BTTM. We caught Ellen just before her tour and asked her a few questions to prepare for her visit.
MAXIMUM INK: As a female songwriter who plays a mean rock guitar who can I compare you to that would make you blush and who would make you scowl?
ELLEN KEMPNER: Well there are plenty of people you could compare me to that would make me blush, like Albert King, Annie Clark, Matt Sweeney etc.. Honestly, I feel that anyone who plays a “mean rock guitar” has qualities that I don’t feel fit enough to judge to the point of scowling!
MI: Your new album, “Dry Food,” is full of shifting rhythms and unpredictable dynamics. Do songs come to you with these ideas from the start, get worked out in the writing process, in the studio or the stage?
EK: I never perform anything in the studio or on stage until I’m completely confident in what I’ve written, partially because I’m an anxious perfectionist. As far as dynamics go, that’s usually something that comes to me from the start of a song, whereas shifting rhythms tends to be part of the editing/writing process.
MI: Having started out as a solo artist who played most of her instruments what is it like to relinquish control to three other people? What prompted you to make that leap?
EK: I still for the most part consider myself a solo artist actually, because through lineup changes I have retained the majority of creative control. I usually write a song and then demo out all the instruments myself and then leave it to my bandmates to play them better than I can (i.e. Drums haha)
MI: “Dry Food,” seems to speak from the heart, have you ever started a song based on a feeling you since felt was misplaced or trite?
EK: I’ve definitely started plenty of songs that way but those are the ones I tend to discard. Total, I wrote probably at least 40 songs leading up to Dry Food but picked those eight because they seemed the most genuine and expressed what I wanted to express most clearly.
MI: Your lyrics show an appreciation for language’s playful nature, are there any specific books from your childhood still informing your current aesthetic?
EK: Really funny you would ask that because I was just looking over some books in my childhood bedroom last week. I can’t say that I’m directly inspired by those books today but looking back on them I was actually surprised to see how much of the language and strange weirdo plot lines seemed to have stuck with me through the years. The ones that stood out in particular were Caps For Sale, A Bad Case of the Stripes, and The Giant Jam Sandwich.
MI: Do you ever fear running out of experiences to write songs about? Creativity is a fickle mistress, how do you work your craft?
EK: I used to fret over that a little bit, like when I’d be in a dry spell, but I’ve learned by now that I’m gonna continue to welcome good and bad experiences into my life whether I like it or not and will probably have a well of inspiration at least until I’m “stable” both physically and emotionally.
MI: What’s the first thing you scope out when you play a town for the first time?
EK: Considering that I usually get into a town for the first time after a long drive/time of no eating, I’d say a good place to get relatively cheap/healthy takeout.
MI: Thanks so much for taking the time to consider these questions - looking forward to seeing you in Madison.
EK: Thank you! Lemme know about any cool places to get snacks in Madison.(3438) Page Views Palehound Online:
CD: Dry Food Record Label: Exploding in Sound
• Download Dry Food on Amazon