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Slipped Discs December 2013

Discs you may have missed | by John Noyd

Brendan Benson

After Thanksgiving the music calendar turns unforgiving with labels waiting until February to thaw out their goods. Fear not, December holds several treasures including cerebral-conceivers XIU XIU’s haunted cafe-jazz covers of jazz and blues icon Nina Simone, “Nina,” cosmic earth-mother and hippie soul-sister AQUARIANA’s bare-boned, psycho-sexual spirituals, “Aquariana,” Detroit pop-rock wunderkind BRENDAN BENSON’s gritty, pithy, “You Were Right,” and warmly non-conforming MUTUAL BENEFIT’s glittering literate baroque-folk images, “Love’s Crushing Diamond.”

Slipped Discs appears every month in print in Maximum Ink music magazine, this months reviews are:

Sumie - Sumie


Record Label: Bella Union
Review published: November 2013

Sprinkled over aloof, acoustic guitar, patient raindrop melancholy graces solitary, rose-petal melodies, proving, “Sumie,” to be a level-headed sedative injected straight into the heart. The soothing, folk-chanteuse tranquility Sumie produces becomes pale, dewy blues filled with solemn consequence, precious defeats and velvety consolation. Quietly self-assured, unwavering accompaniment embraces the sweet, distant lyrics; befriending tender, orphaned affections for warm, self-reflective confessions.

(1014) ViewsPermalinkSumie Website

Marley Carroll - Sings

Marley Carroll

Record Label: Melanaster Records
Review published: November 2013

Intergalactic traveler routing rhythmic vistas into scenic sonics, Carroll’s computerized grooves build synth-pop heavens whose chiffon brawn, intricate mixes and lusty shuffles flirt, revert and skirt mastering plastic disco-soul, funky rainbow space-rock and quasi-symphonic electronica. Vast imaginative patches of studio-groomed savvy balance mechanical fantasies against breathless synthetics while, “Sings,” soars and explores, cantering in expansive cybernetic trances and programmed techno-romances.

(1026) ViewsPermalinkMarley Carroll Website

Dott - Swoon


Record Label: Graveface Records
Review published: November 2013

Decked out in burning bridges about burning bridges and well-oiled choruses, “Swoon,” zooms and fumes empowered by retro-minded drive and feminine guile, teetering between lip-gloss garage-pop and beach-party alt-rock. Scoring scoff-moppet kiss-offs beneath love-song recon, the fashionably angelic and brilliantly belligerent Dott plots stun-gun bubblegum through hand-clap ballads saddling toxic bop with luscious touches of disarming harmonies and surf-punk doo-wop.

(1135) ViewsPermalinkDott Website

Mount Pressmore - Enjoy

Mount Pressmore

Record Label: Pressmore Records
Review published: November 2013

Elastic contractions spinning flinching syncopation, Mount Pressmore’s modern, prog-tropical chords fire spidery geysers; edgy arpeggios dancing under swinging spires topping hyperbolic burrowing. Bendable tendrils of angular jazz-funk weave collegiate teasers into high-minded jams as, “Enjoy,” lays jaw-dropping chops wound around sophisticated art-rock romps; untraceable mazes mediating steamy impulses, wiry struts and cavalier cool while existential narratives navigate among howling counsel.

(1558) ViewsPermalinkMount Pressmore Website

Hello Phones - Future City

Hello Phones

Future City
Record Label: Station Records
Review published: November 2013

Diabolical coddling inside industrial cuddling, “Future,” tutors cruel New Wave sparks from dark, tungsten spunk for devilishly dystopian crunch melting sharp, splashy laser-glazed power-punk into subversive urban Armageddon. Tattered back-alley jags coated in curdling purrs and glowing neon threats, HP taps delicious, illicit prescriptions of hypnotic electro-rock concoctions before shaking them down and roughing them up into serrated low-grade persuasions.

(1278) ViewsPermalinkHello Phones Website

Snowflake - We All Grow Towards the Sea


We All Grow Towards the Sea
Record Label: self-release
Review published: November 2013

Knitting nebulous webs of strong-armed carnivals, the heroic Snowflake orchestrates lumbering concussions scattered among flirty vertigo and thundering slumber. Dream-rock finesse condensed, producer D. James Goodwin bestows, “Grow,” with heft and grandeur; clobbering the somber with intoxicating grogginess for triumphant gravitas, shifting-sand panoramas stitching gauzy causes to complex stretches for block-buster theatrics address wrenching repentance with a gracefully joyous poise.

(1006) ViewsPermalinkSnowflake WebsiteSnowflake Wiki

Final Thoughts

Having overlooked countless incredible gems from 2013, 2014 arrives bearing several acts promoting some of the very same discs we let slip. Check out ultra-melodic sophists SAN FERMIN playing their sprawling brass-capped self-titled chamber-pop odyssey for Madison’s FRZN FEST Jan 17th and Milwaukee’s Turner Hall Jan 19th, then attend multifaceted indie-rock abstractionists CALIFONE unleashing sweeping incandescent fictions from the cinematic, “Stitches,” Jan 23rd in Madison’s High Noon Saloon. Finally, don’t miss enchanted vamp-rocker CATE LEBON performing unspooled narco-pop curlicues from her hip, pixie-pickled, “Mug Museum,” Jan 24th at Madison’s Frequency.

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