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Gabe Burdulis performing live at the 2014 MAMA awards in Madison at the Overture Center - photo by Hedi Lamarr Photography

Gabe Burdulis


by Teri Barr
August 2014

Some recent messages via both Facebook and email with Gabe Burdulis are still making me laugh. There’s one in particular, where Burdulis says, “Ahhh. Just answering this now, at 5 am. It’s been a busy, but great weekend,” and is a pretty good indication of the life this young Madison musician is living.

Burdulis plays alone, or with any number of groups, because he just wants to make music. He describes his sound as “kinda indie, acoustic-y, poppy, rocky, alt. with a lot of mixed elements. And some blues thrown in for good measure.” His on-stage presence has been called amazing, commanding; a true show-man.

And did I mention, he is still a high school student? I grabbed this opportunity to ask Burdulis some questions about his music, the recognition, and his goals. It’s a chance to get to know him, before the rest of the world catches on to this break-out talent.

Maximum Ink: Where are you getting your influence, especially at such a young age?
Gabe Burdulis: The people I get to play with are a constant influence on me. Also relationships, nature, and of course people like John Mayer and Jack White.

MI: And you’ve been playing successfully for quite a few years?
GB: Yeah, I took a couple guitar lessons around the age of 12, and kinda took off on my own from there. Once I had what I needed, I was able to let my creativity take off.

MI: So, what kind of goals or dreams do you have right now?

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Jack Bruce

Jack Bruce


by Mario Martin
December 2001

The 1960’s British music scene afforded one of the greatest bands the world would ever see, Cream. Jack Bruce provided the rhythm for which to do it.

Jack Bruce On His Current Project:
Jack Bruce has played with some of the most diverse musicians in the business, none more diverse than his current project that was turned into a band for the sheer enjoyment of the music. Jack said, “I’ve enjoyed playing with so many musicians through the years, but my favorite is my band right now.” [Jack’s current band is comprised of Vernon Reid on guitar; Bernie Worrel on Hammond organ; El Negro Horacio Hernandez from Cuba, Robbie Ameen and Richi Flores, all on drums.]  “When we were making the record, we decided to continue and make a band out of it.”

Jack Bruce on the Music Industry:
Jack Bruce is one that sees the melting pot of music as a blessing. “Music has always been, it just got bigger. There are so many more kinds of music today but their roots were always there. Me, I consider myself a non-celebrity and play music because I love music…all of it.”  When asked about what types of music he listens to, Jack said, “I listen to everything. I’m very open to what’s out there. From Limp Bizkit to whatever gangster rap is around.”

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Joey Broyles - photo by Adeline Peck

Joey Broyles

Singer-Songwriter Joey Broyles leads a Future Pop Revolution
by John Noyd
December 2014

Raised in Sun Prairie, Madison musician Joey Broyles distinctly remembers playing all the parts of Snow White and the Seven Dwarves for his family as a young child. A born entertainer, Broyles also remembers making up songs all his life without ever thinking he could actually write a song. In fact, it wasn’t until a few years ago that his artistic vision took root and he applied his skills as a self-taught pianist and young Garageband dabbler to create a stage persona and musical identity. Inspired by a performance from local scensters Sexy Ester and mentored by the sure-handed production skills of multi-instrumentalist Son Voyager, Broyles soon caught the attention of the Madison musical community, eventually going on to win RAW Madison Musician of the Year 2013, MAMA Breakthrough Artist 2014 as well as a recent semi-finalist in 105.5 Triple M’s Project M Songwriting competition before completing this fall his full-length debut, “Future Pop Revolution.”

A realist with vision, a futurist shaped by a difficult past, Broyles pairs an extravagant imagination with a crusader’s sense of integrity; a renegade individualist who collaborates with a large network of artists and performers. As a founding member of arts collective and on-line publication Project Famous, the whirlwind entrepreneur enlists film-makers, costume designers and visual artists to help manifest his ideas whether it’s a video shoot, album artwork or a club date. As a performance artist, image and presentation are integral to Broyles’ message which he insists gets communicated with substance and pizzazz. Citing the ADD generation filling the clubs, Joey knows people want to be entertained but he also wants to provide more; specifically a role model for acceptance, championing the LGBT community and putting ideas back into pop music.

Drawing from his experiences being bullied as a young teen and time spent in the Foster care system, Broyles is well equip to confront social injustice and societal pressures. His rainbow-strewn storm-trooper debut tackles mindless music, gender expectations, corporate hypocrisy and rampant consumerism; often assuming the identity of his targets to uproot their weakness and duplicity. Popping Big Brother’s bubble with a court-jester cackle wrapped in royal trappings, “Future Pop Revolution,” styles alien grooves in a satin pageantry, heralded by a flourish of synths, bold beats and rock-hard guitar. Unconcealed and extra-real, Joey tickles fancies as he liberates fallacies, slyly dividing sarcastic travesties by undermining labels and breaking free of preconceived notions.

A dystopian perfectionist whose subversive mirth and unlocked mockery carry a message of self-expression to everyone everywhere, Joey confronts modern reality with defiant flair; shining, not hiding, demanding to be heard through lush synthetic power chords and swooning cut-throat harmonies. After the success of, “Future Pop Revolution,” Broyles is even keener to maintain his domain, absorbing new music software with an almost Zen-like appetite and digging into his childhood influences of TLC and Salt-N-Pepa to supplement his freshman Prince and Madonna obsessions while mining the past year spent immersed in a gossip-fraught bureaucracy for new song ideas. A pervasive presence on the web, it is as a live performer where Broyles fulfills his potential, combining music, theater and dance into a fiery mirrorball of provocative thought. Watch out world, this quick-witted misfit has just started to spread his wings. Catch him December 13th at Madison’s Inferno.

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2697 ViewsPermalinkJoey Broyles Website
Julien Baker

Julien Baker - FRZN Fest 2016

An interview with FRZN Fest 2016 performer Julien Baker
by John Noyd
December 2015

Held in the depths of winter, FRZN Fest 2016 presents a dozen hot bands that are anything but frozen. Whether erupting within dynamic songs or evolving as artists fusing genres, this year’s three-day explosion contains a fiery blend of underground favorites and rising newbies covering indie-folk, alt-rock, electro-psychedelics and punk-pop. In its fifth year hosted by Madison’s High Noon Saloon FRZN Fest highlights include cyclonic TORRES, who opened up for Garbage this past tour, headlining January 14th, crackling psychedelic blues-rockers ALL THEM WITCHES the 15th and Minnesotan folkie slash beat-pop troubadour JOHN MARK NELSON on the 16th. A frequent visitor Nelson looks forward to returning to Madison. “There is a life and energy to that place that always makes it stick in my mind,” he says, ” every time we have played there, we have been greeted by enthusiastic and sincere listeners, which is a rare and beautiful thing.”

A showcase for emerging acts, this year brings an extra buzz when the final night opens with nineteen year-old folk-rocker JULIEN BAKER, whose, “Sprained Ankle,” has generated interest for its arresting restlessness pitching perceptive sentiments. Ms. Baker was kind enough to answer a few questions to help Madison prepare for her Wisconsin debut.

MAXIMUM INK: A sensitive, articulate college-aged artist, you seem custom-made for Madison. Do you identify with your generation? Is it strange to be thought of as a Voice representing anyone other than yourself?

JULIEN BAKER: I do identify with my own generation; I think it is impossible not to associate oneself with whatever cultural or generational context they exist within, and as an artist that probably is reflected in my work to some degree. I don’t often think of myself as a “voice” necessarily—I am afraid it might be presumptuous to say I speak on behalf of any particular demographic. Perhaps it is better to just say that whatever personal experiences I am candid about in my music might be relatable to other people around my age group, or might touch on issues that other people face. I think as a musician my goal is not to create a specific platform, but just to create relationships and be open about those experiences so that they can be discussed and shared

MI: Did you always want to be a musician?

JB: Absolutely, from when I started playing music in middle school I knew I would want to do it for the rest of my life, whether that meant being in cover-bands at bars or my living room or a stadium. 

MI: Having lived in and around Virginia and Tennessee, are you prepare to head north in the middle of winter?

JB: I think I am prepared this time; the first time I went up north through Wisconsin it was last year on a little DIY tour with my friend Ryan Azada. I had never been up North, and I found myself in Ann Arbor, MI in January trudging through snow in only Vans sneakers. We even played a show in Detroit where the venue had no heat, I could barely feel my fingers! I had only toured the south and was not at all accustomed to the weather. But I learned my lesson. This time I am making sure to pack enough warm garments, socks, and boots, haha. 

MI: What are your impressions of Madison or Wisconsin in general?

JB: I have never been to Madison, though I have driven through Wisconsin and thought it was beautiful scenery-wise, fields of wheat and corn and the like. That stretch of road gave me a very “American Heartland” vibe, which was nice. As far as Madison in particular, I don’t know much, so I am excited to visit a new city with no existing impressions!

MI: On tour, what’s the first thing you seek out in a town you’ve never been before?

JB: Every time I show up in a new town, I make a beeline for the best coffee - I will have to consult some locals about the best place upon arrival!

Visit www.frznfest.com for more information, including run-downs on psycho-digitbots TOBACCO, six-string minx PALEHOUND, bop-robbers CHARLY BLISS and Anglo-jangle transplants AMERICAN WRESTLERS, among other jaw-dropping acts.

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Krzysztof Barcik

Krzysztof Barcik

An interview with guitarist Krzysztof Barcik
by Tina Hall
January 2011

Krzysztof Barcik has long been recognized as one of the finest Polish guitarists/composers. While being well versed and educated in the rich tradition of European and American music, Mr.Barcik is a sensitive artist with a professional approach to the realities of today’s music. Krzysztof Barcik, graduated from the University of Miami-Florida and the Academy of Music Katowice-Poland with Special Honors and a Master Degree. He has released 12 original albums to date, 9 of them exclusively for Paris Music Library. He was also commissioned to record solo guitar soundtracks for a major Hollywood and European studios and to perform lead guitar for various European stars recordings resulting in credits on more than 60 albums, many with global distribution. He has several rock fusion hits there. Barcik has created music for TV in the commercial and film markets and has appeared with many of the top performers in jazz and pop music.

Maximum Ink: What was it like growing up in Poland? What is your favorite memory from that time?
Krzysztof Barcik: I spent my childhood in a small village near Cracow. It was the time during “deep communist era” in Poland. My father gave me my first guitar, drums and accordion
lessons. He is a musician and retired music teacher as well. I still keep in my memory beautiful sunny summer days and strong winter time from these days.

MI: Were you always interested in music? Who were your influences?
KB: As I remember, music was all the time around me. As a 7-8 year old boy I used to play drums with fathers band when they rehearsed. It was lots of fun for me. Later on I started to play guitar and accordion but guitar was always my favorite instrument. I remember the day, when father bought for me my first electric guitar. It was one of the most important days of my life. When I went to music school I used to listen lot of jazz music but not only that. Fusion, pop, jazz rock,rock and classical music was always around me as well. Influences? Oh, yes, lots of great musicians to name: Miles Davis, Herbie Hancock, Chick Corea, Weather Report, John McLaughlin, Pat Metheny, Michael Jackson, Quincy Jones and more. This is just “my roots”. I just feel and hear their influences in some of my music projects.

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Kwame Bediako

Kwame Bediako

An interview with Kwame Bediako
by Max Ink Writer List
July 2014

Kwame Bediako will fill the air with the sound of roots reggae music at Madison’s Atwood Fest on Saturday, July 26th.

Kwame has been performing “retro” roots reggae in America for over 20 years. His music holds true to a vintage style—something that’s becoming rare in the modern reggae world, where reggae-rock and dancehall tunes dominate the charts. Born and raised in Ghana, West Africa, Kwame has a global conscience and has seen different ways of life. “When I turned 21, I left,” he said, with a chuckle. Kwame came to the states for school, a common reason why young people from around the globe come here. Soon after, he found himself in the right place at the right time, surrounded by musical opportunities. “The next thing I know, I started gravitating more towards music,” said Kwame. “I’ve been doing it ever since, for about 20 or 30 years.”

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Randy Bachman live! - photo by Callianne Bachman

Randy Bachman

Bachman: Reinventing Heavy Blues
by Sal Serio
February 2015

When the concept truly sunk in that I was going to be talking to the king of Canadian rock, Randy Bachman, the man behind the music of such incredible songs such as ‘American Woman’, ‘No Sugar Tonight’, ‘These Eyes’, ‘Undun’, ‘Let It Ride’, ‘Rock Is My Life And This Is My Song’, ‘Hey You’, and the FM radio behemoths ‘Takin’ Care Of Business’ and ‘You Ain’t Seen Nothin’ Yet’, well, I was a little anxious, to say the least. As it turned out, Randy is an extremely eloquent speaker with a warm personality, and I immediately felt at ease with our conversation. Bachman’s new album, “Heavy Blues”, comes out April 14, and the very first date of his tour is right here in Wisconsin, Wednesday April 1, at Potawatomi Casino in Milwaukee.

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