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Alan Jackson

Alan Jackson

singer, songwriter, and country music legend
by Tina Hall
September 2010

Who of those among us that where raised on country music didn’t like songs about trains?  You just gotta love an album titled “Freight Train.” In his latest work, Alan Jackson proves after 20 years in the industry, 50 million albums sold, and 34 number one hits, that he is indeed a legend in country music. He co-wrote eight of twelve songs on the album. Lee Ann Womack teams up with Jackson on a impressive cover of the 70’s hit “Til The End” for a rather fitting tribute to the late Vern Gosdin.

The opening track “Hard Hat and a Hammer” speaks to those who understand the satisfaction that comes from a days hard work, while “I Could Get Used To This” showcases some very nice work on steel guitar that is rather hard to find these days. The tracks “It’s Just That Way” and “Big Green Eyes” provide a glimpse at the more edgy side ,while the ballad “The Best Keeps Getting Better” offers something to those that prefer a softer tune. All in all it is an album that will delight die hard fans and make an impression on new country fans alike.

Maximum Ink: What was it like to work with Lee Ann Womack On Till The End?
Alan Jackson: I been trying to get her to sing a duet with me for a long time. She’s one of my favorite female country singers. Probably the only one out there left that’s singing real hard country stuff, and can really pull it off, I mean, I’ve loved her from day one, and I asked her to sing with me years ago and she turned me down. So finally she agreed to do it. I’m glad to have her on the record and “Till The End’s” been a song that I’ve always wanted to record as a duet, and it was Verne Gosdin song he had a hit on, years and years ago. I think one of his ex-wives wrote this song. Which I didn’t even know that until we got ready to record this. Verne, he passed away of course last year, and I wanted to do a song, in his honor. I got to do a song for Verne, and got to sing with LeAnn, and this, man, it’s a cool cut.

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Danny Johnson

Danny Johnson


by Mike Huberty
November 2009

Looking at guitarist, DANNY JOHNSON’s musical resume is like reading a syllabus for a course in Classic Rock. Discovered at 18 years old by Rick Derringer (he of the “Rock and Roll Hoochie Koo”), Johnson recorded three albums with him and moved on to joining the bands of Alice Cooper and Rod Stewart. Danny would go on to replace Steve Vai (who in turn had replaced Yngwie Malmsteen) in Graham Bonnet’s post-Rainbow project, Alcatrazz, and when they disbanded, became the guitarist in Eddie Van Halen’s production project, Private Life, in the late 80’s. During the last decade, in addition to performing with Tia Carrere on the Wayne’s World soundtrack, Johnson became the lead guitarist with the originators of the term “heavy metal”, Steppenwolf (still a touring entity almost half a century after forming.) Johnson has also released two solo albums, Grih-Grih Thing and Over Cloud Nine and is embarking on a solo tour through Wisconsin this November.

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3121 ViewsPermalinkDanny Johnson Website
Don Jamieson Talks Hookers & Blow

Don Jamieson

VH1's Don Jameison Talks Hookers & Blow
by Tommy Rage
January 2018

That Metal Show co-host Don Jamieson shares what it’s like to deal with a drunk Marilyn Manson, being on tour with “Hookers & Blow” and his favorite ‘fan-boy’ souvenir.  Read More…

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J Marsden

J MARSDEN

An Interview with Singer/Songwriter J. Marsden
by Mike Huberty
August 2017

Former WALL OF FUNK leader J. MARSDEN has consistently been one of Madison’s most underrated guitarists. With plenty of technical skill, a great sense of melody and most importantly, a surplus of heart, Joe’s first solo album, Gravity is a mix between ALICE IN CHAINS (Sap and Jar of Flies specifically), DAYS OF THE NEW (lower-register vocal melodies and hooks), and RADIOHEAD (expert guitar work ala The Bends).

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788 ViewsPermalinkJ MARSDEN Website
Jackyl's 25th Anniversary

Jackyl’s 25th Anniversary

An interview with Jackyl's Jesse James Dupree
by Tommy Rage
August 2017

Jesse James Dupree discusses Jackyl’s new release, writing pop-songs, and playing at the up-coming Harley Davison Rally in Milwaukee. Read More…

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Jaedyn James

Jaedyn James and the Hunger

Sultry Power Funk From Minneapolis
by Mike Huberty
July 2018

Sultry and powerful R&B from Minneapolis, JAEDYN JAMES & THE HUNGER is funk and soul fronted by fierce female vocals backed up a ten-piece band. They will be headlining AtwoodFest 2018 at 8:15pm on Saturday July 28th by the Alchemy Bar and if you love the classic Motown or James Brown-style, then this will be the set you’ve been waiting for. We spoke to lead singer, Jaedyn James herself, to preview the show and get the lowdown before the getdown.

MI: Who are some of your favorite artists and what inspired you to pick up the microphone?
JJ:
Whitney Houston. Etta James. Patsy Cline. James Brown. Willie Nelson.  I grew up in a house where my mother sang to us all the time. Singing has always been a part of my family’s language. I’ve known for forever that music is the most sacred thing to me. Singing is my way of connecting to music, to myself, and of course, to others too. 

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Jane Lee Hooker on the cover of Maximum Ink  - photo by Alan Rand

Jane Lee Hooker

An interview with Guitarist Tracy 'High Top' Almazan
by Michelle Harper
July 2016

The Blues just got an exciting makeover, and it’s called Jane Lee Hooker.

The band’s debut album entitled “No B!” was released April of this year by Ruf Records. It’s filled with original takes on classic blues songs such as Muddy Waters’ “Mannish Boy” and “Champagne and Refer”, Willie Dixon’s “Shake for Me” and Albert King’s “The Hunter”, along with an original track “In the Valley”. It’s earned rave reviews and high praise for its electric vibe and aggressive sound.

Formed in New York City in 2013, the members of JLH are no strangers to the music business. Guitarist Tracy ‘High Top’ Almazan has been playing for years in such bands as The Wives (with JLH bassist Hail Mary Z), Helldorado and Nashville Pussy, while the band’s other guitarist Tina “T Bone” Gorin, played with NYC band Bad Wizard. After a long hiatus from playing music, longtime friends High Top and T Bone decided to get together and make something new and exciting happen.

“I had stopped playing music altogether for about eight years”, High Top recalls. “Tina had stopped playing music for a bunch of years. We just didn’t feel like doing it anymore separately. And we just reconnected and said hey, let’s try to put a band together for fun. We got Melissa “Cool Whip” Houston on drums right away, and she was amazing! And I brought in (bassist) Mary”.

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