Jill Sobule

After a series of near failures with the record industry, Jill Sobule scored with the heavily played tongue-in-cheek MTV hit “I Kissed a Girl,” and followed up with “Supermodel,” which appeared on the Clueless soundtrack. Her first album was produced by Todd Rundgren, and she recently played lead guitar in Lloyd Cole’s band. The Denver-born singer/songwriter/guitarist has penned songs about such diverse subjects as the death penalty, anorexia, shoplifting, reproduction, the French resistance movement, adolescence and the Christian right, but a lot of her songs are about love. Sobule’s music secretes an aura of love, so instead of asking my heartthrob a bunch of questions that she has probably been asked a hundred times before, I asked her to ask herself the five questions that she has never been asked in an interview, that she always wanted to be asked, then answer them…

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Billy Idol

What can you say about Billy Idol?  That the mold was broken after he arrived on the music scene with his pioneer punk band Generation X in 1976?  That he was music video pioneer?  That he lived the life of a rock star while retaining his punk rock beliefs?  After a serious motorcycle accident and some substance abuse problems, Billy Idol took a well-deserved twelve-year break from the music business.  His latest album, Devil’s Playground [Sanctuary Records] is pure unadulterated Billy Idol.  I interviewed Billy Idol via email while he was between tours in August 2005. 

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Jessie Sykes and the Sweet Hereafter

Ever since two cavemen started beating sticks on hollow logs it has apparently been the goal of musicians to be louder. Symphony orchestras, Celtic, Polka, bluegrass, country, rock and roll and sometimes-even jazz, strive to amp up the volume. Now I love nothing better than to have my eardrums blown out by great live music, but not long ago I found myself on a road, miles from any sign of human inhabitation. I stopped my car and stepped outside. The quietness was deafening. A rushing white noise, phase shifted through my ears, like the beginning of some bad rock song from the 1970’s, but after a few minutes I started picking out the chirping of birds and insects. A minute later I could hear the leaves of trees rustling in the slight breeze. I was amazed at the complex audio beauty of a seemingly silence place. The same thing happened to me the first time I saw Jesse Sykes and the Sweet Hereafter. There are few bands in the world as quiet as Jesse Sykes and the Sweet Hereafter. You can literally hear a beer glass fall on the floor while they are performing.

Fresh off a twenty-day tour of 2,000 seat theaters opening for Bright Eyes, Jesse Sykes and the Sweet Hereafter is hitting the road again. Their latest CD, “Oh My Girl” on Barsuk Records has been selling steadily and has landed on the Best of 2004 lists by such notable publications as the New York Times, The L.A. Weekly, Harp and Maximum Ink.  The band isn’t resting on its laurels.  “When you get home from a tour,” said Jesse, “it’s like, what do I do?”

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D.A. Sebasstian

It has been a long road for D.A. Sebasstian. Starting in the early 80’s with the Southern California punk band, XIJIX to the Latin tinged avant-garde Freaks Amor, to the wildly successful industrial band, Kill Switch…Klick, Sebasstian has never let up on his artistic vision, no matter how many times it bites him on the ass.

Sebasstian first tasted success when Kill Switch…Klick, was signed to Cleopatra Records, releasing the classics “Beat It To Fit, Paint It To Match,” and “Degenerate.” They also appeared on 19 compilation CD’s.

Two short years after becoming a cult rock star, Sebasstian found himself without a drummer and in debt. “I owed Cleopatra (records) all kinds of money,” explained Sebasstian. He decided to start a record company, first calling it “Irregular,” and then changing the name to “Go-Kustom” after hearing of another “Irregular” label. He then proceeded to release titles from artists Kill Switch…Klick, D.A. Sebasstian, The Penningtones, Circle Of Fifths, Bill Wolford’s Head, Exposure To Living and Drag Strip Riot.

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The Donnas

The Donna’s were formed in 1997 in Palo Alto, California when high school outcasts Brett Anderson (vocals), Torry Castellano (drums), Maya Ford (bass) and Allison Robertson (guitar) picked up their instruments and started rocking out in a raw, in-your-face, aggressive AC/DC Ramones style. They all used the first name Donna.  Since then they have released 5 full length CD’s and are now filling up the big halls with their devoted fans, but still the press has not taken them to their heart, dissing their songs, appearance and playing. I spoke to guitarist Allison Robertson via telephone when the Donna’s were on tour in Chicago.  She was smart, funny and talkative. 

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